This is the blog of Ant Miller, senior research manager and dilettante geek at large at the BBC.
I wail moan and cuss about the challenges and fun to be found here.
These are my personal opinions, and not those of my employer. Or anyone else here for that matter.
I wail moan and cuss about the challenges and fun to be found here.
These are my personal opinions, and not those of my employer. Or anyone else here for that matter.
Showing posts with label education. Show all posts
Showing posts with label education. Show all posts
Monday, December 12, 2011
Domesday Reloaded, and Another "Reload" in the Offing?
Wednesday last week was an important anniversary for the BBC Micro project- it was 25 years since the publication of that platform's most famous application- the BBC Domesday Project. Produced 900 years after the original Norman tome, it used then cutting edge technology to record a mixed media record of the nation as it was in 1981. The techniques used were ingenious, pushing the very limits of tech for a very specific application. Predictably perhaps few other uses for this blend of analogue video and digital text and graphics were forthcoming at that time, and the project has long been held up as a classic case of the difficulties of digital preservation. It should be noted that at no time has it ever been impossible to access its content, and that today it has been ported to numerous platforms, including the world wide web, but the reputation persists.
At Bletchley Park on Wednesday though the latest porting was presented- a beautifully designed and executed multitouch table top application allowing access to at least half the content of the project, with zoomable maps and the original video footage. Larger even that the biggest MS Surface tables, this is one of a pair of devices (the other in the BBC's Media City base in Salford) that are the physical world instantiations of the Domesday Reloaded Project. I snuck along to the event at the behest of a couple of friends- David Allen, one of the original BBC reports authors and producer of many of the BBC's Micro associated programmes of the time, and Alex Mansfield who has been leading the Domesday Reloaded project inside BBC Learning over the last year or so.
Such events draw together an illustrious crowd (your author excepted). I actually managed to tag along with the great Ian McNaught-Davis, mountaineer, broadcaster and digital pioneer, as we were shown around the National Museum of Computing's exhibits, and it was a real pleasure to see him exploring the machines he's known- from Colossus to the ICL beast (ok, so he's not been around since Colossus, but still).
It was good to catch up with John Bevan too- he's working on a huge range of brilliant projects with ReWired State, and it looks like the next iteration of this outstanding group will be better than ever.
Intriguingly, as part of the speeches on the day, Howard Baker of the BBC Learning team, and inheritor of the mantle so ably worn buy George Auckland, make an impassioned plea for the ethos of the Micro to be taken up once again. He highlighted the parallels between the late 1970s and today, times when advancing technology was threatening to sideline British industry and innovation, and when business itself was clamouring more better skills from the workforce emerging from schools and colleges. He brought to mind that you can easily argue that the efforts and the impact of the Micro 25 plus years ago have been allowed to wane, that successive educational ministers and policy makers have been swayed by purveyors of 'educational software' into turning our classrooms into nothing more than training centres for obsolescent applications, feeding the juggernaut of passive technology consumption.
I've seen this too- it's why I looked at teaching IT in schools and decided that I couldn't waste my time on such a hopelessly empty exercise. IT teaching in secondary schools in the UK is a shocking waste of the valueable time and energy of teachers and kids. There's no point teaching people how to use applications that will be out of date by the time they leave the classroom. No point either in giving them half hearted 'real world' context that teaches them nothing of design principles, user testing, iterative development. We teach them to use poor tools badly, and wonder why we have the highest youth unemployment ever. Teachers themselves are railing against this wanton waste- Alan O'Donohoe is perhaps the most vocal and imaginative of many teachers in this field who have had enough of the pointlessness of the centrally mandated curricula, and he and others are now striking out running fantastically creative and useful education efforts off the beaten track.
Howard made a call to arms, an impassioned plea for partners and visionaries in determining how as a society we can address this urgent challenge, and hinted perhaps at some very exciting news to come from his own team. It's amazing to think that anything with the ambition and impact of the BBC Micro could be attempted again. But then, why not? If ever "watch this space" was said with more anticipatory relish, I know not where!
Quite why I have never been to Bletchley before I can't really fathom- it is an extraordinarily wonderful place, full of amazing machines from an intense period of our technical history. And better yet, it is staffed by the most wonderful, sharing and friendly people imaginable. TNMOC is a true national treasure, and deserves a huge amount of support in it's stirling work.
Sunday, September 11, 2011
Mini Maker Faire Brighton from a Distance
A week and 25 miles, both sufficient to offer some perspective and scintillating parallax but not so far as to obscure utterly in a haze over the horizon. A week ago Brighton held its first fabulous Mini Maker Faire on the opening weekend of the Brighton Digital Festival. The Festival rolls on,right now the Brighton Bar Camp is in full swing- or more likely a mildly jaded gentle start to a Sunday, but there's already an opportunity for us to stand back and look at the effort, the impact of the Maker Faire, and begin to consider what we can do next year.
So, I'll warrant you are pondering, how did it go? I wasn't there. Hence the 25 miles reference. I was in Eastbourne, for reasons and excuses I have outlined earlier. However, 5463 people did make it, an amazing number, far beyond what we'd hoped for. With the greatest thanks to our lovely hosts at the Brighton Dome, who provided the venue for free (I know!), we have to admit that we pushed the space and the aircon to the absolute limit and beyond. From feedback we know a lot of visitors had a hard time getting around to see everything, and that some of the exhibitors came close to melting in the heat- huge thanks to Simon Smith for last minute volunteering and running around quenching collosal thirsts!
So what did I miss, bar heat exhaustion? About 30 exhibitors had come from all points of the compass; Nottingham & Manchester hack space teams made particularly excellent group contributions, but to be honest there was just too much to mention, especially from afar, and besides, Andy Piper has done a fantastic write up of the day that covers it all much better than I could. Because I wasn't there.
The brilliant Tim trying out Project-a-Sketch by Hacman : Video by Elsmorian
One factor that I think is well worth pointing out is that although we were very much a part of the Digital Festival calendar, and the Maker community does have a strong strand of computing based creativity which was on display at the faire, the craft community made a key contribution to the vitality and atmosphere of the day. It's a peculiar point I'm tucking away here in the depths of the post, but this hands on making of beautiful things through traditional and non-traditional crafts is an open engaging and accessible activity- a sharing and non-exclusive thing in the norse sense. I loved the Kinetica Art Fair, but it's undeniable that the conceptual framework of art as displayed there was a barrier to engagement in the physical fabrication of items and the intellectual engagement of the audience as fellow creators. In comparison to the enagaging, teaching, sharing and energising power of craft, art in the formal institutional tradition is stultifying, pacifying, and oppressively exclusive, without in any way being a more creative or meaningful enterprise. I'm putting this very badly, and I do appreciate good art history (I could watch Andrew Graham-Dixon talk about anything!) but art today has put a wall around itself that physically repels much of society, and that makes people, lots of people, feel that they are not creative.
Anyway Charlotte Young puts this a lot better than I can (maybe I go a wee bit further) and she did so at Ignite London where I was deeply privileged to share a platform with her and many other far cleverer people than I.
Art Bollocks (or Stupid Kunst) - by Charlotte Young from chichard41 on Vimeo.
Time to take a break. I shall blog more shortly. Adieu.
Setting up- by Barnoid
So, I'll warrant you are pondering, how did it go? I wasn't there. Hence the 25 miles reference. I was in Eastbourne, for reasons and excuses I have outlined earlier. However, 5463 people did make it, an amazing number, far beyond what we'd hoped for. With the greatest thanks to our lovely hosts at the Brighton Dome, who provided the venue for free (I know!), we have to admit that we pushed the space and the aircon to the absolute limit and beyond. From feedback we know a lot of visitors had a hard time getting around to see everything, and that some of the exhibitors came close to melting in the heat- huge thanks to Simon Smith for last minute volunteering and running around quenching collosal thirsts!

Simonsmithster on hydration duty: photo by Rainrabbit
So what did I miss, bar heat exhaustion? About 30 exhibitors had come from all points of the compass; Nottingham & Manchester hack space teams made particularly excellent group contributions, but to be honest there was just too much to mention, especially from afar, and besides, Andy Piper has done a fantastic write up of the day that covers it all much better than I could. Because I wasn't there.
The brilliant Tim trying out Project-a-Sketch by Hacman : Video by Elsmorian
One factor that I think is well worth pointing out is that although we were very much a part of the Digital Festival calendar, and the Maker community does have a strong strand of computing based creativity which was on display at the faire, the craft community made a key contribution to the vitality and atmosphere of the day. It's a peculiar point I'm tucking away here in the depths of the post, but this hands on making of beautiful things through traditional and non-traditional crafts is an open engaging and accessible activity- a sharing and non-exclusive thing in the norse sense. I loved the Kinetica Art Fair, but it's undeniable that the conceptual framework of art as displayed there was a barrier to engagement in the physical fabrication of items and the intellectual engagement of the audience as fellow creators. In comparison to the enagaging, teaching, sharing and energising power of craft, art in the formal institutional tradition is stultifying, pacifying, and oppressively exclusive, without in any way being a more creative or meaningful enterprise. I'm putting this very badly, and I do appreciate good art history (I could watch Andrew Graham-Dixon talk about anything!) but art today has put a wall around itself that physically repels much of society, and that makes people, lots of people, feel that they are not creative.
Anyway Charlotte Young puts this a lot better than I can (maybe I go a wee bit further) and she did so at Ignite London where I was deeply privileged to share a platform with her and many other far cleverer people than I.
Art Bollocks (or Stupid Kunst) - by Charlotte Young from chichard41 on Vimeo.
Time to take a break. I shall blog more shortly. Adieu.
Friday, August 19, 2011
Brighton Mini Maker Faire Countdown: 2 weeks
Here we are - D-14- in just two short weeks we'll be hustling the last of dConstruct out of the Dome complex and piling in with all manner of crazy, exciting, inventive creativity.
Jane Bom-Bane and her mechanical hat from Larchmont Films on Vimeo.
This is the final burn, so, friends and occasional readers of this oft neglected and seldom well written blog, now we put in the final burst. This is a call to arms, a request for help, a rallying cry, a stirring bullet pointed list of glory. If you can do any one of the things below you'll have my gratitude. Do a few and I owe you. Do them all and I'd seriously think about donating a body part (I have a spare disk soon to be removed... or perhaps not):
Invite all your Facebook friends to the Facebook event page and ask them to invite their friends
Tweet about the event, using the #bmmf hashtag and @MakerFaireBTN
Post a link to the web site on your LinkedIn profile feed: www.makerfairebrighton.com
Write about it on your blog/Tumblr/Facebook page etc. Don’t forget to link to www.makerfairebrighton.com
Display a PicBadge on your Facebook and/or Twitter profile pic
Bookmark www.makerfairebrighton.com on your Digg/Delicious/StumbleUpon profile
And the old school one – email all your friends and contacts to tell them about it
Ask any journalists/media contacts you have if they can write/broadcast about it (or pass contacts on to me if you prefer)
I know full well this probably counts as hectoring by now, but in all fairness I am laid up at home with a stuffed neck, and this is pretty much all I can do for an event that is a real passion of mine and any and all help you can give would be brilliant. Ta.
Jane Bom-Bane and her mechanical hat from Larchmont Films on Vimeo.
This is the final burn, so, friends and occasional readers of this oft neglected and seldom well written blog, now we put in the final burst. This is a call to arms, a request for help, a rallying cry, a stirring bullet pointed list of glory. If you can do any one of the things below you'll have my gratitude. Do a few and I owe you. Do them all and I'd seriously think about donating a body part (I have a spare disk soon to be removed... or perhaps not):
Friday, June 03, 2011
Brighton Mini Maker Faire is a Go! 3rd September, 2011, Brighton Dome Foyer
Right, here's the news, at last I'm able to confirm it is actually genuinely happening! As part of the Brighton Digital Festival on the 3rd of September come and join us at the Dome Foyer in the heart of Brighton for the first UK Mini Maker Faire.

We'll have demonstrations and hands on tech from amateur creators of wonder from across Brighton, Sussex and the South East, plus, we hope, guest makers from around the world. Learn how to get to grips with essential making skills in workshops and classes, be inspired to rework the world around you, and be amazed by the ingenuity and creativity of your fellow humans (they're ace!).
Details very much TBC, but the call is out now- come join us, and if you'd like to show off your chops you can apply to be a maker too! We would love to hear from you!

We'll have demonstrations and hands on tech from amateur creators of wonder from across Brighton, Sussex and the South East, plus, we hope, guest makers from around the world. Learn how to get to grips with essential making skills in workshops and classes, be inspired to rework the world around you, and be amazed by the ingenuity and creativity of your fellow humans (they're ace!).
Details very much TBC, but the call is out now- come join us, and if you'd like to show off your chops you can apply to be a maker too! We would love to hear from you!
Thursday, February 03, 2011
Making a Faire
It's been suggested that one thing Brighton could really do with is a Maker Faire, given its grass roots collectivist movements, its creativity and its fun-by-the-sea day trip attractiveness, and I have to say, I kinda get it. As a suggestion it's a cracker.
So we're thinking about it.
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